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Another Barstool Short Story
Craig Finn isn’t writing songs—he’s documenting souls. “Luke & Leanna” is one of those quiet heartbreaks that slips past your defenses. Every line lands like a half-remembered conversation you wish
Emo Never Died—It Just Got Smarter
The Red Jumpsuit Apparatus proves time hasn’t dulled their edge. “X’s For Eyes” revives everything you loved about 2000s angst but filters it through a band that actually learned a
Picking the Bones of Modern Rock
Hinder’s “Vultures” comes in hot, full of the bite and bruised attitude that defined their early days. It’s raw and mean in all the right ways, circling back to the
Still Locked and Loaded
38 Special refuses to fade into nostalgia. “So Much So Right” is a reminder that the southern rock vets still know how to write a hook that lands somewhere between
The Goth Kids Are Dancing Again
The Rasmus’s “Weirdo” feels like a perfectly manicured middle finger to anyone who ever told them to blend in. It’s moody, cinematic, and just catchy enough to make you forget
Farewell, But Make It Explosive
Biffy Clyro’s “Goodbye” isn’t a weepy ballad — it’s a power-chord farewell that slaps you across the face before it hugs you. It’s loud, unapologetic, and full of that Scottish-rock
The King of Quirk Still Has Questions
David Byrne’s “What Is The Reason For It” is exactly what you’d expect from a man who’s been asking the universe weirdly profound questions since the Reagan era — and
Let’s Take A Spin With Nelly
Nelly featuring Tim McGraw’s latest track is proof that genre lines are more like polite suggestions than actual rules. It’s hip-hop swagger meets country grit — the kind of crossover
Richard Ashcroft Still Doesn’t Need Permission to Feel Things
Richard Ashcroft has never been one for half-measures, and “Lovin You” is proof that subtlety is overrated. It’s grand, cinematic, and unapologetically earnest — because when Ashcroft decides to sing
Continue readingRichard Ashcroft Still Doesn’t Need Permission to Feel Things
Aerosmith Didn’t Come to Retire — They Came to Wreck Your Speakers (With Yungblud)
When you put Aerosmith and Yungblud in the same room, you don’t just get a song — you get a generational detonation. My Only Angel is proof that rock still
Continue readingAerosmith Didn’t Come to Retire — They Came to Wreck Your Speakers (With Yungblud)